COLLISIONcollective

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*                        For engineers that moonlight as artists and artists that moonlight as engineers                                         *
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*   CCC    OOO    L      L     IIIII    SSS     IIIII    OOO    N    N                   l     l                      t      i                   *
*  C   C  O   O   L      L       I     S   S      I     O   O   NN   N                  ll    ll                      t                          *
*  C      O   O   L      L       I     S          I     O   O   N N  N    ccc     ooo    l     l     eee     ccc    ttttt    i    v   v    eee   *
*  C      O   O   L      L       I       S        I     O   O   N  N N   c   c   o   o   l     l    e   e   c   c     t      i    v   v   e   e  *
*  C      O   O   L      L       I         S      I     O   O   N   NN   c       o   o   l     l    eeeee   c         t      i    v   v   eeeee  *
*  C   C  O   O   L      L       I     S   S      I     O   O   N    N   c   c   o   o   l     l    e       c   c     t      i     v v    e      *
*   CCC    OOO    LLLLL  LLLLL IIIII    SSS     IIIII    OOO    N    N    ccc     ooo   lll   lll    eee     ccc      tt    iii     v      eee   *
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Gloria King Merritt

In 1961, my mother, who taught at the Rhode Island School of Design for more than 20 years, called me a nerd. I had no idea what it meant. The word was only invented in 1950, the year of my birth, yet at the age of eleven I already had been labeled with the newly coined appellation. What was a reclusive young artist with a proclivity for combining art and technology to do other than make the most of it.

I was trained in traditional fine art materials and methods, and encouraged to investigate the breadth and depth of virtually every artistic medium. I now enthusiastically celebrate digital art as my primary medium.

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