COLLISIONcollective

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*                        For engineers that moonlight as artists and artists that moonlight as engineers                                         *
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*   CCC    OOO    L      L     IIIII    SSS     IIIII    OOO    N    N                   l     l                      t      i                   *
*  C   C  O   O   L      L       I     S   S      I     O   O   NN   N                  ll    ll                      t                          *
*  C      O   O   L      L       I     S          I     O   O   N N  N    ccc     ooo    l     l     eee     ccc    ttttt    i    v   v    eee   *
*  C      O   O   L      L       I       S        I     O   O   N  N N   c   c   o   o   l     l    e   e   c   c     t      i    v   v   e   e  *
*  C      O   O   L      L       I         S      I     O   O   N   NN   c       o   o   l     l    eeeee   c         t      i    v   v   eeeee  *
*  C   C  O   O   L      L       I     S   S      I     O   O   N    N   c   c   o   o   l     l    e       c   c     t      i     v v    e      *
*   CCC    OOO    LLLLL  LLLLL IIIII    SSS     IIIII    OOO    N    N    ccc     ooo   lll   lll    eee     ccc      tt    iii     v      eee   *
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d9-4D-Tres-B-Carceri-C

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2012
d9-4D-Tres-B-Carceri-C
d9-4D-Tres-B-Carceri-C @COLLISION18:present

This work continues the previous explorations on singular algebraic hypersurfaces. By projecting in three dimensions a hypersurface of degree nine inhabiting a four-dimensional space, the corresponding three-dimensional "shadows" are then used as the basic materials for its generation. The last part of the title refers both to the graphic work of the italian architect Giovanni Battista Piranesi, and the homonymous series by the english composer Brian Ferneyhough.

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